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News Wire / culture

Thai 'Saomok Song' Adapted Into Three-Layer Standard

MCOT FM 100.5 News Bangkok 3d3d Impact 7

A broadcast discussed the increasing difficulty of finding places that play Thai classical music, describing it as a valuable cultural heritage. The 'Sao Mai' piece, also known as 'Sweeping Song,' is described as evolving from a two-layer folk music belonging to the 'Nong' category, featuring three sections with flute and drum. The classical Thai piece 'O-Lao Tao' is an ancient song, originally composed for two instruments and later expanded into a single piece. This piece is known for its triple meter arrangements, and Chao Khun Inthraphati adapted it into a three-layer standard, arranging the folk music into triple meter. It features three sections, uses flute and drum to accompany theatrical performances, and is characterized by triple note arrangements. Qiao Chu Yi Sun Te La Ba Ti later adapted this folk music into its three-layer standard.

A broadcast discussed the increasing difficulty of finding places that play Thai classical music, describing it as a valuable cultural heritage. The 'Sao Mai' piece, also known as 'Sweeping Song,' is described as evolving from a two-layer folk music belonging to the 'Nong' category, featuring three sections with flute and drum. The classical Thai piece 'O-Lao Tao' is an ancient song, originally composed for two instruments and later expanded into a single piece. This piece is known for its triple meter arrangements, and Chao Khun Inthraphati adapted it into a three-layer standard, arranging the folk music into triple meter. It features three sections, uses flute and drum to accompany theatrical performances, and is characterized by triple note arrangements. Qiao Chu Yi Sun Te La Ba Ti later adapted this folk music into its three-layer standard. The 'Saomok Song' Layer 3 evolved from 'Saomok Song Layer 2' and originated as ancient folk music in the 'Nong' category. Its characteristic triple note arrangement gave it its name, and Qiao Qiaoyi Suntra Patti later adapted it into its standardized three-layer form.

Topics

Thai culture music preservation

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Sources · 7 independent

MCOT FM 100.5 News

“现在找不到这些音乐了,他说找不到真的很难,找不到的地方越来越少。只有少数地方会安排时间来播放这些音乐。所以要再次感谢,可以称之为一种文化遗产。”

MCOT FM 100.5 News

“Now these music cannot be found, he said it's really hard to find, fewer and fewer places to find it. Only a few places will schedule time to play these music.”

MCOT FM 100.5 News

“现在找不到这些音乐了,他说找不到真的很难,找不到的地方越来越少。只有少数地方会安排时间来播放这些音乐。”

MCOT FM 100.5 News

“欧拉乌,他说如果听欧拉乌,必须听《客欧德》。这是一首有韵律的歌,有所谓的韵律。作曲家非常喜欢这首歌。然后我们先听《欧拉乌陶》,再听《客欧德》。”

MCOT FM 100.5 News

“欧拉乌陶,必须听《客欧德》。这是一首有韵律的歌,有所谓的韵律。 ... 《掃墓歌》三层是从《掃墓歌》二层演变而来的。原来是一种古老的民间音乐。”

MCOT FM 100.5 News

“《掃墓歌》三层是从《掃墓歌》二层演变而来的。原来是一种古老的民间音乐,属于“弄”类,有三段,用笛和鼓,配合表演的戏剧节目。”

MCOT FM 100.5 News

“《掃墓歌》三层是从《掃墓歌》二层演变而来的。原来是一种古老的民间音乐,后来,丘乔伊孙特拉巴提因将其改编成三层的规范。”

MCOT FM 100.5 News

“The lyrics of 'O-Lao Tao' are two songs and one song, both ancient. This is a fast song for two instruments, or with the Thai 'O-Lao' instrument. This song has two songs created by composers using two instruments, expanded into one. The three-layer 'Sao Mai' song evolved from the two-layer 'Sao Mai' song. It was originally an ancient folk music, belonging to the 'Nong' category, with three sections, using flute and drum, coordinated with theatrical performances. It uses two instruments to coordinate the rhythm. The characteristic of this music is that it often arranges triple meters, hence the”

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