Alaïa and Dior Exhibition Held In Paris
An exhibition in Paris features the works of the Petuba do Agresse de Alagoas sisters, aiming to invite European audiences to cross geographical, cultural, and symbolic borders. The exhibition is described as transforming the cultural space into a place of great importance. The exhibition features flowers and plants from paintings that grow on rooftops, reflecting the artist's preference for discussing art in gardens and finding joy in blooming flowers. The artist's work often connects with children and folk traditions. The exhibition showcases films and the work of professionals in the field. One film was withdrawn by its director for an personal reason and is now being shown at Cine Foundation in Mahra.
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Sources · 7 independent
“MARSIA BEXARA Em Paris, uma exposição brasileira convida o público europeu a atravessar fronteiras, não apenas geográficas, mas culturais, estéticas e simbólicas. No centro cultural, Alice Saint-Pierre, as obras das irmãs Petuba do Agresse de Alagoas transformam-se em um lugar de grande importância.”
“很多畫裡的花草 都是從樓頂長出來的 菜高喜歡陽光 喜歡在花園裡講話 看到花开心情就很 經過思考他找到了答案 他像是一紅清水,不大不小 剛好照見我的天光和雲影,照見我的生活 我的生活,我的作品多與兒童與民間有千絲萬縷的聯繫 他最富盛名的作品《墨過於寶兒》,創作於1992年 故事以自蒲松林的《撩齋之役》中的古兒為藍本 講傷人”
“Ini dia lagu daripada Kumpulan Skor Bila Hati Dah Sayang Terima kasih.”
“ومن الأشياء التي لفتت نظري، هناك معرض عن الملابس السينمائية التونسية. بالضبط. بالحق وصلونا إلى العديد من الأفلام. هم ما زالوا يدرسون. وكلهم من هم محترفي. وعندما شفت الـ Level قلت "WOW". الفيلم من الأفلام كان عندنا. وفي آخر وقت. الفيلم جميل جداً. جداً جداً. ومن بعد جاءنا وقال لنا "سامحوني لكن أنا لازم أسحب فيلمي". "علاش قال لنا؟" "جيتني حاجة مهمة جداً وسامحوني". الفيلم هذا هو اليوم في Cine Foundation في Mahra.”
“Une exposition qui s'appelle "Par-delà les mille et une nuits". Je sais que ça vous fait déjà rêver, et qui est sous-titrée "Histoire des orientalistes".”
“Paris, où deux maîtres de la haute couture se retrouvent pour une rencontre posthume. Azedine Alaïa et Christian Dior, le premier vouant une admiration sans borne au second.”
“Paris, où deux maîtres de la haute couture se retrouvent pour une rencontre posthume. Azedine Alaïa et Christian Dior, le premier vouant une admiration sans borne au second.”
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